Moab Entrada Rag Fine Art, 2-Side Inkjet Paper

Simply put Moab paper is not manufactured consistently. The quality can vary wildly and the people that run the company won''t own up to that fact. If you get a good batch of paper the quality is excellent for the price point. However, I have printed on quite a bit of Kayenta and Entrada that exhibits many and varied surface defects. Coating that flakes off; faint surface abrasion that isn''t noticeable until you print an image with a lot of ink density (read skid marks in the shadows) and loads of dust in some rolls that can make a general mess of your printer and your prints (invariably the dust blocks ink making it to the surface of the paper and when if finally moves you are left with a white spot). Hahnemühle paper is more expensive but by the time you get done pitching all the screwed up prints you end up with when using Moab products I''d say the cost is the same (especially if you count your time and frustration). Having worked in a darkroom for years I expect my inkjet paper to be as reliable as my photo paper. Not so with Moab. For a budget proofing paper try the Illuminata available through Inkjet Art and the papers available through Red River. Both brands are head and shoulders above Moab with regard to quality control.

I have been using this paper in both cut sheets and in rolls for the last two years. Unlike the previous reviewer, I have found the batches to be very consistent. It is a beautiful paper with good balance and works great with all three of my Epson Printers. I get good range of color and very nice detail. The 300 is too thick for the consumer printers, so I use the 190 when I run panoramas on my R2400. I find that even between these I don''t need to worry about consistency.

I would say that The manufacturer does need to improve their canned profiles. Don''t get me wrong, These profiles do a very good job. But if you can do your own profiles, you will find that the color range this paper can handle is much greater than the canned profiles. Also, a separate profile for B&W really makes this paper shine! It is the best paper I have found for high quality black and white prints.

One last note, be sure to set the platen width to wide (at least on the Epson printers)! Otherwise there will be head strikes with the 300 paper.

Profiled correctly and with a properly configured printer, you will get spectacular results.

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I have used both the 190 and 300 g versions of Moab entrada bright paper.

The color gamut is very good, although it does have some problems in

the greens and red-oranges. Still, the only paper that I have found

that is competitive in this respect is the Hahnemuhle Photo Rag bright,

which also has some gamut limitations, and is twice or more the price.

(I am printing on a 12-color, Canon ipf8100 printer using icc profiles

from Moab and Andy Biggs.)

The surface texture lends a fine art quality to the images, transcending

merely the "photo" look that traditional photographic "RC" papers produce.

The right image is essential. High contrast B&W does NOT belong on this

paper (instead try Hahnemuhle Photo Rag Pearl or Byarta) unless you want

a charcoal or pencil sketch appearance. Landscapes can become truly

"fine art" in appearance, and wildlife can have a 3-dimensional look

(e.g. the hair or fur) with excellent resolution of the details.

I have not had problems with the surface coating. You can spray

protecting "varnish" (both moab and hahnemuhle sell cans of this), but

behind glass this is not necessary.

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